2006 CDI-W Frankfurt
Roller Coaster Atmosphere at the CDI-W Frankfurt
December 18, 2006
Whoever says that dressage is a boring sport can not have been in
Frankfurt this year. The beautifully decorated Festhalle didn't only
attract very gratifying crowds, it also saw everything from tears and
laughter to outright riot. What a rollercoaster ride!
Looking at result lists on the internet, you won't even get half the
stories -- just numbers that in some cases are more than misleading.
Isabell Werth's for instance.
It very clearly shows that Polano, while
gifted with powerful movements, has been schooled not by her but by
someone with lots of muscle and no patience. Unfortunately, now that
he's her ride, she has to adapt that style, and the results are
sometimes less than satisfyng -- like her 67,833 score in the Grand Prix
that was the World Cup freestyle qualifier.
The 66,5 % she scored in the
actual freestyle, however, were not entirely the result of a laborious
performance, but mostly Isabell's doing because she rode not a double,
but a double-and-a-half pirouette and lost points as a penalty. Again,
being Isabell, she took it with style.
For Mathias Alexander Rath, the event that is very generously hosted by
his step-mom Ann-Kathrin Linsenhoff was a disappointment. He placed last
with Weltmeyer Junior in the opening test for the Nürnberger Burpokal
and showed sportsmanship then by withdrawing the horse, which had been
out of training during most of the summer due to an injury, from the
finals. In the Grand Prix, he and Renoir Unicef made many mistakes, so
that they didn't qualify for the Freestyle. He did get his well-deserved
moment in the limelight at the end of a tremendous year, though, when he
was awarded his golden riders' badge in the course of a price-giving
ceremony.
Carola Koppelmann, who keeps presenting runners-up at the
Bundeschampionate year after year, and who does round after round of
unrewarded lovely performances in the grand arena, Frankfurt was a
moment of triumph. Aboard Comic Hilltop, who only even qualified because
another horse had to be withdrawn, she won the prestigious Burgpokal
finals, ahead of Dorothee Schneider on Kaiserkult and Helen
Langehanenberg on Responsible.
The name of the latter could have been
the motto of the winning trio as it presented itself on the podium at
the press conference later, because their performance were a showcase
for responsible and harmonious schooling of young horses.
The same, alas, cannot be said for Rudolf Zeilinger. While a very
elegant and sensitive rider himself, he keeps pushing Franziskus from
Grand Prix to Grand Prix. The horse is only eight years, he showed
drastic signs of being asked too much of during the whole season, and
while the signs have dimmed from outright rearing in Hünxe last April to
lots of bad concentration mistakes by now, they are still there, and the
judges read them just as clearly as the spectators. The pair placed last
in the Kür.
After her triumphant Burgpokal victory two years ago, Frankfurt meant
bad luck this time for Nadine Capellmann. In the Grand Prix, Elvis
disobeyed her very rudely at the transition to the first piaffe and
nearly reared -- just as he did in Stuttgart -- and while he did
continue the test as if nothing had happened (even though, curiously,
the judges lowered their scores considerably despite the fact that the
horse collected himself immediately), the pair had already lost too many
points through that incident and placed fifth, barely above the 70%
mark. In the freestyle, fate really hit them. While they took of with newfound
style and harmony, the music equipment hickupped, and the judges had to
interrupt the test for the technicians to fix the problem. Asked to
continue where she had left, Capellmann did so, but this time the music
got caught in a perpetual loop, so Capellmann withdrew -- through no
fault of her own. "I was very much impressed with the way she handled
the situation", chief judge Cara Witham said later. "She was very much a
lady -- disappointed, but a lady." Regarding the obvious problem in the
Grand Prix, Capellmann stated that "it was disobedience, it's no use
looking for euphemisms. It was the same in Stuttgart, but I'm aware of
it, and we're working on it, and I think that I'm on my way."
Last, but not at all least, triumphant doesn't even begin to describe
what Silvia Ikle gave herself -- and the overwhelmed crowd -- for
Christmas. Her passage-piaffe-tours are not of this world, and it's
difficult to understand why the judges, after everything they'd already
seen, didn't grant her tens for the first piaffe -- only one of them did
so, finally during the second piaffe. Still, she won both tests, lots of
hearts, and her new freestyle of Latin American bandoneon tunes is
tailor-made for Salieri. Again, Cara Witham said it best: "In our
vocabulary, we have the ideal of the happy horse -- here we saw it today."
Text and photos by Barbara Schnell
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